The Brooklyn Bridge: Piece of MagicLive!

YAWN. My lips stretch over my entire face as the invisible Exhaustion Monster creeps up my throat and out of my mouth. I accidentally glance at my daddy and the Monster bites him too. We each finish our yawns as we stumble into the theatre, another early morning session after a very late evening. Here we are at MagicLive!, a week-long, complete submersion of learning, buying, talking about, and showing off magic. Lectures in the morning, workshops in the afternoon, shows in the evening, and endless brainstorming, chatting, and rehearsing all night. Not to mention a big change of heart, speedily on its way to me and my career.

This convention is, without a doubt, the best four days of my whole summer. As we find our seats in the theatre, we’re weary but very anxious to know who takes the stage to bring their very professional, experience-oriented, and possibly invaluable wisdom. I open my official, laminated, designer MagicLive! binder and flip to Monday’s schedule and slide my finger down to my session. My eyes widened so quickly and largely my heart must have leaped right up out of them. There it was: her wonderful name, in 11 point font, Times New Roman. This was real life. THE Tina Lenert was about to give me marvelous advice, right in front of my eyes and wide-open ears. Oh, and I guess 900 other magicians were there too.

Mrs. Tina Lenert is a delightful performer who has a wonderfully entertaining career. Her signature piece is called “Mr. Mop Man,” where she plays a lonely janitor, accidentally stepping into an enchanting romance. However, Tina’s magic doesn’t come only from her clever use of props and extraordinary mop. The performance is a beautiful story the gives the audience the gift of so many real and relatable emotions.

Tina’s lecture was all about small “moments” in her life she used as the process to create the piece. For example, she told us about her first experience seeing the movie “The Rocky.” There was a simple, romantic instant between Rocky and Adrian that affected her very emotionally and directly, therefore she wanted to share that same impression with her audiences. It then became so clear as to why everything I felt when she performed was so real, because she had her honest heart infused all over it.

As if that wasn’t fulfilling enough, Wednesday’s speaker was none other than Joanie Spina, David Copperfield’s choreographer and simply one of my favorite artists in the entire industry. Her presentation was focused on a consultation she recently did for a magician named Patrick Thernes. I watched the (sadly, but honestly) pathetic videos of different stages of his act. The lecture concluded with a performance from Patrick himself, now full of life, story, and great feelings. I definitely cried as he took his magnanimous applause in tears, his heart so full of thanks to Joanie.

Joanie echoed to us the advice and concepts she gave to Patrick, all very unique and brilliant ideas. She wasn’t up there telling me how to perform. She was showing me. Simply the way she carried herself was flawless; she was powerful, personal, magical. My entire performing tactics completely changed just sitting there on the edge of that auditorium chair, scrambling to capture every word dancing from her mouth to glue it to my paper. Joanie taught me that my magic isn’t for me at all, it’s a gift to my audience that I’m honored to have them receive.

“Magic” can require a lot of skill and hours of polishing rehearsals. That’s good, you should always work hard for where you want to be. However, in these few short days, Tina and Joanie taught me real magic. Real magic is taking the pure moments from your life and appreciating what you learn and feel from them. Real magic telling a story to the audience, something can hold on to in their hearts, not just taking their applause. Real magic is honing your talents to the best of your ability and then vigorously using them to help others as much as you can.

Real magic is what I want in my shows. As soon as I arrived home and began revising my act with what I learned, I knew I was finally on the right track. I feel so different, so much better when I perform now. I certainly have a long way to go, but putting the value of story into action and thinking of the audience instead of myself has made me a little bit more of the performer I want to become. I am so grateful for the education I receive just by living around and listening to other human beings. What incredible creatures. There’s no more time to yawn, for there’s magic to do.